Gig Review: Broods, Metro Theatre, 22 November 2014

Playing to a packed Metro in their biggest Australian show to date, New Zealand siblings Broods seem almost overwhelmed by the level of support at times, but for the most part Broods are well and truly in control.

In a set which begins with single ‘Never Gonna Change’ and which features almost the entirety of moodily pretty debut record Evergreen, highlights include the washed out beauty of ‘Bridges’, which gets a huge visceral response, and an emotionally charged version of ‘Four Walls’ with just Georgia on stage.

Taking cues from the minimalism of countrywomen Lorde and the starkly beautiful spaciousness of the XX, these are songs of elegant restraint and immaculately recreated live. We’re also treated to an as yet unnamed new song, little more than a skittering beat and a torch song vocal, as well as convincingly dark versions of ‘Pretty Thing’ and ‘Coattails’ from their self-titled EP.

There’s a surprising detour in the encore, which sees them cover Tom Petty’s evergreen ‘Free Fallin’’ in languid style.They’re soon back on more familiar ground though with ‘Superstar’, before wrapping up with the thumping beats and gorgeously nostalgic melody of ‘Mother and Father’. Impressive as tonight was, there’s also a feeling that their best is yet to come and with Georgia and Caleb Nott barely out of their teens and just one album into their career, their potential seems almost limitless.

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