Gig review: Augie March, Sydney Opera House, 25 January 2015

It’s been a long five years since Augie March last graced our stages, an absence which only saw their distinctive, introspective brand of beauty grow in stature.

Playing as an eight piece with a three-piece brass section on some songs, there is plenty of their 2014 record Dumb Havens with ‘Definitive History’ and ‘After the Crack Up’ both making early appearances.

Another new track ‘Hobart Obit’ is classic Augie March, lush and lullaby-like but with something darker lurking beneath the ornate surface, while ‘Villa Adriana’ sees them riding waves of crashing soft/loud dynamics.

The older songs which increasingly dropped out of their repertoire before the extended hiatus are back in force as well and Sunset Studies classics ‘There is No Such Place’ and ‘The Hole in Your Roof’ were warmly received. ‘One Crowded Hour’, the song which won them the Hottest 100 but which they later tired of, was also played with a renewed vigour and flashes of the old magic.

Much of the night was a hushed affair with the lights down low and the ghostly likes of ‘Never Been Sad’ setting the tone. But they do have another gear and ‘This Train is Taking No Passengers’ proved a stirring reminder that when they want to, they can push the pedal to the floor as well as anyone.

Never a flawless live band, there’s still an endearing scrappiness to Augie March, complete with a couple of false starts, singer Glenn Richards’ frank admission of being terrified by the occasion and chatterbox drummer David William’s sardonic commentary on proceedings.

But we wouldn’t have it any other way. This wasn’t just a hugely welcome return, but also a reminder of the void their absence left.

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