A critical phenomenon in their early 2000s pomp, Mercury Rev may be a much less hyped act these days, but their decreasing profile has had little effect on their status as a spectacular and singular live band. They throw themselves into their cosmic rock with glee and a rare abandon. Frontman Jonathan Donahue is a particularly animated presence, conducting his bandmates like some mad scientist and gesticulating and vamping his way through the high drama of the songs.
There are whole worlds of psychedelic lushness here, from the woozy lullaby of ‘Endlessly’ to the guitar meltdown that ends an otherwise mellow ‘Frittering’, which dates back to their weirder, noisier 1991 debut Yerself Is Steam. There’s a welcome focus on the classic Deserter’s Songs, with the swooping dynamics and Disney fantasia of ‘The Funny Bird’ and the shimmering ’Holes’ and the mini-epic ‘Goddess On A Hiway’.
These are songs at once wildly ambitious and completely inclusive, and they’re playing with a shape-shifting zeal. ‘Opus 40’ builds from something delicate into cathartic release before morphing again into white noise. Their latter-day work has tended towards muted prettiness, but live they’re loud and expansive, with new songs like ‘Central Park East’ and ‘Autumn’s In The Air’ both expressions of childlike wonder, full of symphonic grandeur.
Later, there’s a trio of songs from All Is Dream, including ‘Tides Of The Moon’, a cosmic, soaring ‘You’re My Queen’ and finally ‘The Dark Is Rising’, an atypically plaintive moment in an often euphoric set. It’s a stunning finish to an alarmingly good performance, a semi-forgotten band serving notice that they’re still special.